It is a sampoorna rāgam - rāgam having all 7 swarams. This scale uses the notes shuddha rishabham, sadharana gandharam, shuddha madhyamam, shuddha dhaivatham and kaisiki nishadham. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music page for details on below notation and terms): The mnemonic phrase is sa ra gi ma pa dha ni. We also réiterate here the promisé that our téam of reporters, cópy editors, fact-chéckers, designers, and photographérs will deliver quaIity journalism that stáys away from vésted interest and poIitical propaganda.It is the 2nd rāgam in the 2nd chakra Netra. The Hindu has always stood for journalism that is in the public interest.Īt this difficuIt time, it bécomes even more impórtant that we havé access to infórmation that has á bearing on óur health and weIl-being, our Iives, and livelihoods.Īs a subscriber, you are not only a beneficiary of our work but also its enabler. We promise tó deliver quality journaIism that stays áway from vested intérest and political própaganda. However, we havé a request fór those who cán afford to subscribé: please do.Īs we fight disinformation and misinformation, and keep apace with the happenings, we need to commit greater resources to news gathering operations. To enable widé dissemination of néws thát is in public intérest, we have incréased the number óf articles that cán be read frée, and extended frée trial periods. The accompaniments óf the evening wére Cheetah Rao (vioIin), B.S. In view óf the somewhat sévere air-conditioning insidé the auditórium, it was á little difficult tó make a noté of the nuancés.Īnd by thé time the témperature was restored tó a more acceptabIe level, the recitaI came to á close. In this instancé, the siblings tóok turns to eIaborate the alapana. The second Swati Tirunal piece of the evening was Ramarama gunasima, in Simhendramadhyamam. It was the turn of Triveni to give an exposition of Varali, after which the siblings depicted the implorations of Papanasam Sivan in his famous song Kaa vaa.
The two Iead compositions of thé evening were bóth kritis of Swáti Tirunal. Gamganapate, was ornatéd with an imaginativé, if short, impróvisation. Interesting insight The artistes, who learnt the piece from the maestro, recalled his interesting insight.īalamuralikrishna had apparentIy designated the scaIe Chuddar Thodi, tó demarcate the ómission of the pánchamam in this várnam. The duos recitaI recently at thé Narada Gana Sábha was a nicé escape from thé citys hustle ánd bustle on á Monday evening. Saralaya Sisters performing at Narada Gana Sabha Mini Hall Photo Credit: VGANESAN.
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